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World Jazz Latin Jazz Gypsy Swing Flamenco
Integrating jazz with musical stylings from the spectrum of music including Classical, Latin, African, Indian, Asian, and the world music flavors from every conceivable jazz derivative and variation of folk music from around the world, world jazz is the ultimate synthesis of musical form. World Jazz does not have a specific sound or style as it encompasses the integration of any and all available styles. World Jazz is at the forefront, avant garde, of musical exploration. Its mastery is dauntingly elusive because musicians must not only be proficient in jazz, but also in many other styles and forms of music. Spanning a wide and diverse array of styles of music from Latin America, many deriving from Classical, Spanish, and Flamenco music, as well as native folk music indigenous to the different regions of Latin America, Latin Jazz is a microcosm of music unto itself that spans Afro-Cuban Jazz, Bossa Nova, Caribbean, Brazilian, and many other distinguishable styles and forms from across Latin America. Latin Jazz generally traces its origins to Dizzy Gillespie who first integrated Afro-Cuban rhythms into jazz in the mid-20th century. Claiming perhaps the oldest heritage outside of the Classical paradigm, Gypsy music is a predecessor to World Fusion because it integrated styles of music from everywhere that Gypsies traveled. Gypsy Jazz, a.k.a., Gypsy Swing, evolved as a consequence of the Gypsy culture colliding with early Swing music in the 1920's and 1930's in Europe, most notably in France when Django Reinhardt fused Gypsy music with Swing with his legendary Hot Club of France ensemble. Gypsy Swing has undergone a concerted revival in recent years, regaining popularity in both Europe and the Americas. A guitar-centric form of Spanish music, generally acknowledged to have originated in and around the Andalusian region of Spain, Flamenco music is a highly animated form of music that draws largely from Classical music but also integrates elements of style from other styles of music, such as Spanish folk and Gypsy music. Modern Flamenco guitar is undergoing a revolution, or evolution, depending upon perspective, where the Nueavou Flamenco style is integrating traditional Flamenco with other styles of music including Jazz, Latin, and World Music.
i.e. Paquito D'Rivera, Mike Stern Group, ANISTAR, Pan Asian Chamber Jazz Ensemble, Cardamon Quartet i.e. Dizzy Gillespie, Paquito D'Rivera, Eddie Palmieri, Stan Getz, Poncho Sanchez, Tito Puente, Rafi Malkiel i.e. Django Reinhardt, Bireli Lagrene, Babik, Rosenberg Trio, Andreas Oberg, Hot Clubs Everywhere! i.e. Paco de Lucia, El Macareno, Tomas Michaud, Roni Benise, James Cohen
 
Roots of Jazz Contemporary Jazz Salsa Other
This section explores the roots of jazz throughout the 20th century from the original jazz innovators through the legendary musicians that defined and redefined the boundaries of jazz as we generally perceive them today. These innovative musicians laid the foundations of jazz that have been built upon by subsequent musicians. This section explores the contemporary jazz musicians of the latter part of the 20th century through the modern day. Contemporary jazz musicians continue to push the boundaries of jazz by exploring directions and paths deriving from their predecessors. This section bears some overlap to the others delineated, though not all contemporary jazz has the focus on world music, as does World Jazz. Salsa is a form of predominantly Latin music that has gained a strong following among mainstream listeners due to the rhythmic intensive integration of Afro-Latin influences, as well as the easily accessible format that makes it suitable for mainstream audiences. Salsa is itself a fusion of styles of Latin music and it is continually evolving to integrate new styles, including jazz. Listeners amd musicians that love world fusion are happy to see the seeds of the movement fall wherever they may. Whether it be pop, rock, country, bluegrass, folk, dance, or any other style of music, the synthesis of world fusion is taking root throughout the musical kaleidescope. Be it Santana, Shakira, or Los Van Van, World Fusion is gaining momentum across the music industry.
i.e. Louis Armstrong, Duke Ellington, Bennie Goodman, Charlie Parker, Miles Davis, Bill Evans, John Coltrane, Sonny Rollins, Thelonius Monk, Art Blakey, Cannonball Adderley, Wes Montgomery i.e. Pat Metheny, Charlie Haydn, Wynton Marsalis, Branford Marsalis, Taylor Eigsti, John McLaughlin, John Scofield i.e. El Gran Combo, Oscar D'Leon, Celia Cruz, Ruben Blades, Willie Colon  
 
Virtuosos Congueros Guitar Zone  
Many musicians distinguish themselves with extraordinary skills over their instrument(s) that set them apart from other musicians. These virtuosos possess skill, craft, and artistry with their instrument(s) that serves as a model for others to strive. This section explores the modern day virtuosos that have achieved mastery over tonal and conventional percussive instruments. Many of the musical styles that have derived from Afro-Latin music or otherwise integrated African rhythms, make extensive use of African percussive instruments, such as congas, bongos, djembas. This section explores the musicians that have mastered these percussive instruments. The electric guitar exploded as an instrument of choice for many mainstream and jazz musicians in the 20th Century. This section explores the diverse areas of music that electric guitar has ventured, as well as the new styles that have evolved with acoustic guitar.  
i.e. Roy Haynes, McCoy Tyner, Paquito D'Rivera, Anat Cohen, Meg Okura, Harel Shachal, Itai Kriss i.e. Giovanni Hidalgo, Poncho Sanchez, Mongo Santamaria, Robbie Mondalvo i.e. Les Paul, Wes Montgomery, Alan Holdsworth, Greg Howe, Scott Henderson  
       
 

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